2005... I did all these little square paintings for a gallery that only sold square paintings (now defunct). Utterly pointless as a business venture. But it encouraged me to develop my on-paper painting techniques, watercolour plus others. Things got quite itty bitty but sometimes the cloudyness worked.
When we were smaller, my sister once drew a 'fartist's impression' of me, what I might look like if made of gas... these remind me of that.
Also, wrestling was in the air.. I mean I needed something to get excited about.
and then 2006... wrestling chickens come home to roost... also it was when I started thinking of caricature, focusing on drawing, and when I started this blog...
This new kind of weirdness was quite special for me. I remember the first time Marlo Meekins sent me an instant message, I couldn't beleive she liked my work. (This was the era of Myspace. I attempted to Network.)
These are all still quite 'bitty'... I've always tended towards the bitty, and relied on untrained instincts to provide any kind of structure or hierarchy. I'm getting better now at seeing the big picture, trying to avoid getting swamped in unnecessary complexity of my own making.
It meant a LOT to me to have peer approval about my drawing. It still does. I still hover between worlds of solid masculinity and concrete old fashioned values, and some kind of intangible artsy fartsyness, my own kind. (neither thing being very commercial on the local level.) I sometimes hate my 'artist' nature, but it remains.
Jon Serl - Between Two World, 1982 - [image: Jon Serl - Between Two World, 1982]Artwork found in the collection of the American Folk Art Museum. Details on the life of Jon Serl can be found at...
28 minutes ago